{"id":11541,"date":"2025-12-24T13:43:51","date_gmt":"2025-12-24T18:43:51","guid":{"rendered":"https:\/\/nbm.org\/?p=11541"},"modified":"2025-12-24T13:43:54","modified_gmt":"2025-12-24T18:43:54","slug":"home-for-the-holidays","status":"publish","type":"post","link":"https:\/\/nbm.org\/home-for-the-holidays\/","title":{"rendered":"Home for the Holidays: What Our Favorite Holiday Movies Teach Us About the Meaning of Home"},"content":{"rendered":"\n<p>Every holiday season, certain movies feel&nbsp;inevitable.&nbsp;&nbsp;Not just because of the nostalgia they carry or the reminders about the \u201ctrue meaning\u201d of the season, but because of the comfort they offer. They feel cozy and familiar. They feel&nbsp;like&nbsp;home.&nbsp;<\/p>\n\n\n\n<p>Some of our favorite holiday films are less about the magic of the season and more about how the built environment becomes a catalyst for that&nbsp;sense of wonder. From iconic skylines to quiet, snow-covered neighborhoods,&nbsp;the movie\u2019s setting&nbsp;often&nbsp;amplifies the&nbsp;plot. In many holiday classics, the home&nbsp;<em>itself&nbsp;<\/em>becomes a main character, shaping emotions, relationships, and the way the story unfolds.&nbsp;<\/p>\n\n\n\n<p>In\u00a0<em>This Christmas\u00a0<\/em>(2007), family members return to their childhood home to celebrate the holidays together. Almost\u00a0immediately,\u00a0it\u2019s\u00a0clear that the house is doing just as much storytelling as the characters. Returning home means more than hugs at the door;\u00a0it means stepping back into a place filled with memory.\u00a0<\/p>\n\n\n\n<p>Each room, doorway, and corner reveals personality and history. The warmth of the film&nbsp;doesn\u2019t&nbsp;come only from laughter in the hallways, but from the evidence of years lived there. Traditions linger in objects, layouts, and familiar routines, reminding&nbsp;us&nbsp;that homes quietly collect stories over time. This idea echoes a central truth about domestic spaces: a house becomes a home not all at once, but gradually through use, ritual, and memory. Everyday objects, from decorative choices to well-worn furniture, carry meaning far beyond their function.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"600\" height=\"450\" data-id=\"11544\" src=\"https:\/\/nbm.org\/wp-content\/uploads\/2025\/12\/holiday-houses-1.png\" alt=\"\" class=\"wp-image-11544\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"600\" height=\"450\" data-id=\"11545\" src=\"https:\/\/nbm.org\/wp-content\/uploads\/2025\/12\/holiday-houses.png\" alt=\"\" class=\"wp-image-11545\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" width=\"600\" height=\"450\" data-id=\"11546\" src=\"https:\/\/nbm.org\/wp-content\/uploads\/2025\/12\/holiday-houses-2.png\" alt=\"\" class=\"wp-image-11546\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Iconic holiday movie settings. Left to right: the McCallister house in <em>Home Alone<\/em> (1990), the Plaza Hotel in <em>Home Alone 2<\/em> (1992), the Parker House in <em>A Christmas Story<\/em> (1983).<\/figcaption><\/figure>\n\n\n\n<p>On the&nbsp;flip side, sometimes architecture tells the story through absence. In&nbsp;<em>Home Alone&nbsp;<\/em>(1990), the McCallister house looms large the moment Kevin realizes&nbsp;he\u2019s&nbsp;alone. Hallways&nbsp;stretch&nbsp;longer. Rooms echo louder. Familiar spaces suddenly feel unfamiliar.&nbsp;<\/p>\n\n\n\n<p>The same house that once felt crowded and chaotic becomes a landscape of vulnerability. The film captures a feeling many of us recognize: a home changes when the people in it do. Home is no longer defined by who fills it, but by who is missing.\u00a0<\/p>\n\n\n\n<p>Somewhere in between is&nbsp;<em>The Holiday&nbsp;<\/em>(2006), which suggests that home can also be something we redefine for ourselves. Two women trade homes across continents, each seeking escape. One settles into a cozy English cottage, the other into a sleek Los Angeles house. Both discover that unfamiliar spaces can offer unexpected clarity.&nbsp;<\/p>\n\n\n\n<p>The film reminds us that home&nbsp;isn\u2019t&nbsp;always where&nbsp;you\u2019re&nbsp;from. Sometimes,&nbsp;it\u2019s&nbsp;where you&nbsp;can&nbsp;rest, reflect, and imagine something different. Stepping into another space can reveal what we truly need from our own.&nbsp;<\/p>\n\n\n\n<p>These ideas come to life beyond the screen as well. Exploring how everyday spaces shape memory, identity, and tradition is at the heart of\u00a0<em><a href=\"https:\/\/nbm.org\/exhibitions\/house-home\/\" target=\"_blank\" rel=\"noopener\" title=\"\">House &amp; Home<\/a><\/em>, an exhibition that invites visitors to examine the objects and environments that quietly define domestic life. From ordinary household items to deeply personal artifacts, it offers a reminder that the meaning of home\u00a0isn\u2019t\u00a0fixed;\u00a0it\u2019s built over time, through use, ritual, and care.\u00a0<\/p>\n\n\n\n<p>As the holidays unfold, these films and the spaces we gather in encourage the same reflection: home&nbsp;isn\u2019t&nbsp;just where we are, but how we live, remember, and come together.&nbsp;<\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Every holiday season, certain movies feel&nbsp;inevitable.&nbsp;&nbsp;Not just because of the nostalgia they carry or the reminders about the \u201ctrue meaning\u201d of the season, but because of the comfort they offer.&hellip;<\/p>\n","protected":false},"author":57,"featured_media":11547,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[426],"tags":[],"class_list":["post-11541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/posts\/11541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/users\/57"}],"replies":[{"embeddable":true,"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/comments?post=11541"}],"version-history":[{"count":4,"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/posts\/11541\/revisions"}],"predecessor-version":[{"id":11549,"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/posts\/11541\/revisions\/11549"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/media\/11547"}],"wp:attachment":[{"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/media?parent=11541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/categories?post=11541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nbm.org\/wp-json\/wp\/v2\/tags?post=11541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}